IN-VISIBLE REALNESS: 50 JAHRE NACH STONEWALL, EXHIBITION @ PS120 BERLIN 2019

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In-visible Realness: Berlin 50 Jahre nach Stonewall,
PS120, Potsdamer Straße 120, 10785 Berlin

Das Queere Kulturhaus E2H in Zusammenarbeit mit PS120.

20. Juni–19. Juli 2019

Kuratiert von: Ben Livne Weitzman und Justin Polera

Assistentin: Simone Meier

Künstler*Innen: Alex Heide, Ariel Reichman, Carlos Motta, Christo Daskaltsis, Danh Vō, Doireann O’Malley, Ileana Pascalau, Jean Ulrick Désert, Jessica Rankin, Jörg Schulze-Roloff, Julian-Jakob Kneer, Matthias Hamann, Mi Kafchin, Ming Wong, Nan Goldin, Nathan Storey Freeman, Nicholas Grafia, Noah Rieser, Nooshin Askari, Philipp Timischl, Renate Hampke, Samantha Bohatsch, Shaun Motsi, Stef. Engel, Stef Morgner, Thomas Masc, Tommy Camerno, Yein Lee, Zoe Leonard

Annika Larsson’s project “The Discourse of the Drinkers” portraying the CLUB. Book release at Hamburger Bahnhof, Berlin

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Annika Larsson’s project The Discourse of the Drinkers is exploring the bar as a social and political space. It borrows its title from a chapter in François Rabelais’s 16th Century comic novels on The Life of Gargantua and of Pantagruel. Interested in acts of transgression (identities and borders), the project sets out to explore the political and social potential of the body, its capacity of overturning our habitual course and to change the order of things (through intoxication, poetry, music, movement, performance and laughter). 

Continue reading “Annika Larsson’s project “The Discourse of the Drinkers” portraying the CLUB. Book release at Hamburger Bahnhof, Berlin”

PUBLISHING HOUSE GESTALTEN 2017

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Gestalten is a publisher and creative agency mostly known for their 600 books on art, architecture, design, photography and typography. The company has staff members through offices in Berlin, London, New York and Tokyo. Gestalten’s books are unique in the industry as all are edited and designed by designers. They typically document and anticipate vital trends in visual culture, the results of which Print Magazine has called “timeless” and “a perfect expression of our time.” With their extensive range of titles, they do not only seek to enhance and to enrich their reader’s lives, but to continually engage with the surrounding creative landscape. Their origin story began with a focus on the aesthetic, particularly that of graphic design and, over the last two decades, the scope of both their content and expertise has widened. Today, using a myriad of observations of culture, people, art, and other intimate inspirational informants, they document and anticipate vital movements in architecture, visual culture, design & fashion, escapism, food & beverages, travel, and contemporary art. 

Editorial design for gestalten – Stef Morgner

EXHIBITION OPENING SEPTEMBER 10 – MUSEUM FOR COMMUNICATION

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Since 10 September 2017 the new permanent exhibition “Media tell their (hi)stories” is open at the Museum for Communication Frankfurt (Main), Germany. On 2500 m², 44 narrative areas and more than 500 original exhibits tell the history of communication in an interactive and colorful way. 

Continue reading “EXHIBITION OPENING SEPTEMBER 10 – MUSEUM FOR COMMUNICATION”

ARCHIMEDES 2016-2017

Archimedes Exhibitions is an international communications agency for science, industry and culture. Since 1996 they have been creating exhibitions, brand spaces, and interactive installations for renowned companies, science centers, research organizations, and political institutions all over the world. Their headquarters are in Berlin. From there their work is sent out across the globe.

Graphic design & graphic production for Archimedes Exhibitions – Stef Morgner

 

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SheZine – 2016

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SheZine is a print magazine celebrating female artists and creatives both contemporary and historical women of all mediums, movements + genres. SheZine focuses on the women using art as an outlet to express their political stances in art and elsewhere, exploring the personal experiences that have moulded them to be the great women they are today. Continue reading “SheZine – 2016”